![]() ![]() She continues the tradition of second wave feminist artists, such as Adrian Piper, Lorraine O’Grady, Carolee Schneemann, etc., who challenged the status quo in their examination of gender roles, sexuality and equal rights. Auder was appointed critic at the Yale School of Art in 2009.Narcissister is a Brooklyn based artist whose work includes performance, dance and activism as essential elements. His work has been exhibited at the Anthology Film Archives, the Centre for Contemporary Images, and the Berlin, London, and Copenhagen international film festivals. He has had solo exhibitions at the Rooseum Center for Contemporary Art and the Renaissance Society at the University of Chicago. The artist has continued to use images and footage from his archive as well as create new work in his personal, up-close, diaristic approach.Īuder participated in documenta 13 in 2012, documenta 14 in 2017, and the 2014 Whitney Biennial. Auder’s work captured iconic and imaginative artists such as Viva, Andy Warhol, Candy Darling, and Cindy Sherman. After being involved with the Zanzibar Group in France at the close of the 1960s, Auder continued to make films and photographs in New York City. Auder’s solo exhibitions include: Video, Film, Photography 1969-2001, Rooseum Center for Contemporary Art, Malmo Retrospective 1969-2002, the Renaissance Society at the University of Chicago and exhibitions at Kunsthalle Lund, Lund Kunsthalle Basel, Basel Portikus, Frankfurt Établissement d’En Face Projects and Culturegest, Lisbon.Ībout the Artist While working as a photographer in Paris, Michel Auder was drafted into the Algerian War. Gallen, in a retrospective at the 11th Biennial of Moving Images, Geneva, and at the Berlin, London, and Copenhagen international film festivals. ![]() He participated in documenta 13 in 2012 and documenta 14 in 2017 as well as the 2014 Whitney Biennial. Auder has been a faculty member at the Yale School of Art since 2005 and was selected by the 2016 DAAD’s Berliner Künstlerprogramm’s jury for a one-year visual art residency. He changed the traditional perceptive habits of movie audiences and art audiences, redefining the boundary between private and open observation, and integrated mythology, narrative, and documentary archives indiscriminately.īorn in 1944 in Soissons, France. They are mixed with collage techniques, unscripted dialogues, and intimate interactions, which may be both history and performance. Michel Auder’s images are not true records. It happens in the present and is not just focused on the past. The blank parts of compositions or obtrusive details, such as a media player bar, remind the viewer that Auder’s creation is constantly updated. Through copying, collaging, enlarging, and reproducing, Auder takes the past and connects it with the present, giving it a new meaning. ![]() The materials for this exhibition come from collages, Polaroid photos, and iconic video clips from thousands of hours of Auder’s work. Interactions with close friends, actors, and artists such as Cindy Sherman and Candy Darling show viewers that Auder’s documentary style is different than what is used in general movie production. This exhibition presents the relationship between Viva, Andy Warhol, and Martin Kippenberger through Auder’s lenses. Daily trivialities and historical highlights are exposed in his image records. Over the years, he has used Super 8, 16mm, and 35mm cameras to record people and events in his life through a personal and subjective lens. At the close of the 1960s, he settled in New York from Paris and started carrying a portable camera with him. Auder’s first solo exhibition in China pulls from his image archives and presents his detailed insight into New York City’s East Side art scene in the second half of the 20th century.Īuder’s image creation is closely related to his life. From April 23 to May 20, IS A GALLERY will host the internationally renowned video artist Michel Auder’s solo exhibition Iconography, Storytelling, Myth, Irony, Archive.
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